PreSonus StudioLive 32SC 32-channel Rackmount Digital Mixer
Small digital mixer. Big power.
The StudioLive® 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don’t let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus® FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64×64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig.
The scalable digital mixer.
The StudioLive 32SC digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software.
Superior sound.
We built our reputation designing great-sounding analog circuits for critical studio-recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic-preamp trim values can also be recalled along with the other settings.
The mobile music recording studio.
PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 32SC.
macOS®
- macOS version 10.13 or later
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
- Available USB port
Windows®
- Windows 10 or later (64-Bit Only)
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
- Available USB port
The above are the hardware system requirements for this product.
DAW software and Operating System requirements vary.
Click here for Studio One’s system requirements.
Click here for Qmix-UC’s system requirements
Click here for UC Surface’s system requirements.
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
USB-C® is a registered trademark of USB Implementers Forum
All other trademarks are property of their respective holders
Technical Specifications
Microphone preamplifier |
|
|---|---|
|
Input Type |
XLR Female, balanced |
|
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
|
Input Impedance |
1 kΩ |
|
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
|
S / N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
|
Common Mode Rejection Ratio (1 kHz at unity gain) |
65 dB |
|
Gain Control Range (± 1 dB) |
0 dB to +60 dB |
|
Maximum Input Level (unity gain) |
+12 dBu |
|
Phantom Power (± 2 VDC) |
48 VDC, switchable per channel |
Line Inputs |
|
|---|---|
|
grade |
¼” TRS Female, balanced |
|
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
|
Input Impedance |
10 kΩ |
|
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
|
S / N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
|
Maximum Input Level |
+18 dBu |
Tape Inputs |
|
|---|---|
|
grade |
RCA Female, unbalanced (stereo pair) |
|
Maximum Input Level |
+12 dBu, ±0.5 dBu |
XLR Outputs |
|
|---|---|
|
grade |
XLR Male, balanced |
|
Maximum Output Level |
+24 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
Line Outputs |
|
|---|---|
|
grade |
¼ “TRS Female, balanced |
|
Maximum Output Level |
+ 18 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
Tape Outputs |
|
|---|---|
|
grade |
RCA Female, unbalanced (stereo pair) |
|
Maximum Output Level |
+18 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
Headphone Output |
|
|---|---|
|
grade |
¼” TRS Female, active stereo |
|
Maximum Output |
100 mW / ch. @ 60Ω load |
|
Frequency Response |
20 Hz – 20 kHz (±0.5 dB) |
|
THD + N |
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
|
S / N ratio |
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
|
|---|---|
|
Input to Output |
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
|
Adjacent Channels |
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
Digital Audio and Control |
|
|---|---|
|
ADC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
|
DAC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
|
USB Recording Port |
USB 2.0, Type-B |
|
AES / EBU output |
XLR Male |
|
Network Control Port |
RJ-45 |
|
AVB Audio Network Port |
Locking XLR Ethernet |
|
Internal Processing |
32-bit, floating point |
|
Sampling rate |
48 kHz, 44.1 kHz |
|
A / D / A Bit Depth |
24 |
|
Reference Level for 0 dBFS |
+18 dBu |
|
Total System Latency |
1.9 ms (local routing, analog in-analog out, all processing active) |
Clock |
|
|---|---|
|
jitter |
<20 ps RMS (20 Hz – 20 kHz) |
|
Jitter Attenuation |
> 60 dB (1 ns in, 1 ps out) |
Power / Environmental |
|
|---|---|
|
Connector |
IEC |
|
Input-Voltage Range |
90 to 230 VAC (± 10%) |
|
Power Requirements (continuous) |
85W |
|
Recommended Ambient Operating Temperature |
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
|---|---|
|
height |
6.51” (165.36 mm) |
|
Width |
17.59” (446.66 mm) |
|
Depth |
22.97” (583.48 mm) |
|
Weight |
23.15 lbs. (10.5 kg) |
Speedy Delivery and professional packaging
Due to our longstanding partnership with UPS FedEx DHL, and other top global carriers, we are able offer a variety shipping options. Our warehouse employees will pack every item to our exacting specifications. Your goods will undergo an extensive inspection and be safely packaged prior to being shipped. We deliver to thousands of customers every day in a variety of countries. This shows our commitment to being the largest retailer on the internet. There are distribution centers as well as warehouses in Europe and in the USA.
Note: Orders that include more than one item will be assigned a processing date according to the item.
Prior to shipment, all purchased items will be thoroughly inspected. Most orders are delivered within 48 hours. The delivery time is estimated to be between 3 and 7 days.
Returns
The stock is constantly changing. It's not entirely managed by us, since we're involved with several entities, including the factory and our storage. Stocks are subject to change at any moment. It is possible that stock may run out after your order has been processed.
Our policy is valid for 30 days. We cannot exchange or refund your order when it's been 30 days since you purchased it.
For your item to be eligible for return it must be in its original packaging, unopened and in the same condition as when you received it in. The item must be in the original packaging.
Related products
Electric Guitar
Guitar Amplifier
Guitar Amplifier
Electric Guitar
Charvel USA Select So-Cal Style 1 HSS FR – Pitch Black Charvel
Guitar Amplifier
Carr Rambler 1×12 Combo Amp – Fawn Front with Coco Back Carr
Guitar Amplifier
Bass Guitar
Guitar Amplifier
Fender ’57 Custom Deluxe 1×12″ 12-watt Tube Combo Amp Fender
Bass Guitar
Ernie Ball Music Man StingRay Special Bass Guitar – Snowy Night with Maple Fingerboard Ernie Ball
Bass Guitar
Ernie Ball Music Man StingRay Special HH BFR Electric Bass Slugger – Velvet Natural Ernie Ball
Guitar Amplifier
Uncategorized
DW Performance Series 4-piece Shell Pack with 22-inch Bass Drum – Hard Satin Gold Mist DW
Electric Guitar
Duesenberg Alliance Series Dave Baksh Signature Electric Guitar – White Sparkle Duesenberg
Bass Guitar
Ernie Ball Music Man DarkRay Bass Guitar -Obsidian Black with Ebony Fingerboard Ernie Ball
Guitar Amplifier
Bass Guitar
Electric Guitar
Extend Service Contract
Bass Guitar
Ernie Ball Music Man StingRay Special Bass Guitar – Burnt Ends with Rosewood Fingerboard Ernie Ball
Guitar Amplifier
Bass Guitar
Bass Guitar
Ernie Ball Music Man StingRay Special Bass Guitar – Speed Blue with Rosewood Fingerboard Ernie Ball