PreSonus StudioLive AR12c Mixer and Audio Interface with Effects
Audio recording made easy.
Don’t let the classic analog mixer design fool you – the StudioLive® AR12c was built to record. With a pristine analog front-end, eight high-gain XMAX mic preamps, and a 14×4, 24-bit, 96 kHz, USB-C-compatible USB 2.0 audio interface, its hybrid design makes it simple to record studio productions and mix live shows from a single, intuitive console. Add in a musical three-band analog EQ, mic / line boost for low-level vintage synths and broadcast microphones, all-new digital effects with rich reverbs and lush delays, Bluetooth connectivity, and a stereo SD recorder, and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.
A full-featured audio interface.
The StudioLive AR12c audio interface operates at up to 96 kHz for high-definition mixing and recording. Record each of the 12 inputs, plus the main mix for even more flexible recording options. Play back up to four streams for monitoring previously recorded tracks – plus a click. Eight of PreSonus’ lauded XMAX mic preamps provide all the gain you need to capture even the most subtle details without adding any extra noise. The analog mixer front end makes connecting your gear intuitive, and creating monitor mixes is quick and easy. With a USB-C connection, your StudioLive AR12c is ready to use as an audio interface for nearly any computer.
The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once, making it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug-in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making rehearsal a snap.
A complete recording solution for studio and stage.
The StudioLive AR12c audio interface and analog mixer is tightly integrated with state-of-the-art recording software to help you realize your creative vision. Record multitrack live performances with one click, thanks to PreSonus’ Capture® live-recording software. Create complete studio productions with our award-winning Studio One® Artist DAW. With two professional recording applications included with your StudioLive AR12c, you’re ready to record right out of the box.
You also get Ableton® Live Lite.
Stereo recording without a computer.
Imagine you’re rehearsing with your band and want to record your session to analyze later. Or perhaps you’re in the middle of a songwriting session and want to capture your ideas as quickly as they come to you. Either way, the StudioLive AR12c’s stereo SD recorder has you covered. Insert any SD / SDHC Card, and you’re ready to record your main mix, so you’ll never forget a great song idea or an amazing guitar solo. Doing mobile interviews for your podcast? Leave the computer at home and record straight to SD.
Technical Specifications
Microphone Preamp |
|
|---|---|
| Type | XLR Female, Class A XMAX |
| Maximum Input level (unity gain) | +9 dBu ± 1.0 dB |
| Gain Control Range | 43 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| S / N Ratio to Outputs (+4 dBu) | 94 dB |
| THD + N (min. Gain, A-wtd) | <0.01% |
| Input Impedance | 1 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: <128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
| Phantom power | + 48V, ± 3V, Global |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female, Unbalanced, Hi-Z |
| Maximum Input Level (min. Gain, 1 [email protected]% THD + N) | +9 dBu ±1.0 dB |
| Gain Control Range | 43 dB, ±1 dB (+12 to +55 dB) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| Dynamic Range (min. Gain, A-wtd) | > 105 dB |
| Dynamic Range (mid. Gain, unwtd) | > 108 dB |
| THD + N (1 kHz, -1 dBFS, A-wtd) | <0.01% |
| THD + N (1 kHz, -1 dBFS, unwtd) | <0.01% |
| Input Impedance | > 1 MΩ |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female, Balanced |
| Maximum Input Level (min. Gain, 1 [email protected]% THD + N) | +26 dBu ±1.0 dB |
| Gain Control Range |
Mono Channels: 40 dB, ± 1 dB (-5 to +35 dB) Stereo Channels: 0 dB or +10 dB (+10 dB Boost) |
| Frequency Response to Analog Outputs | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| Frequency Response to USB (Direct) | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| S / N Ratio to Analog Outputs (+4 dBu) | 85 dB |
| THD + N (1 kHz, -1 dBFS, A-wtd) | <0.01% |
| Input Impedance (Balanced) | 10 kΩ |
Main, Control Room, Monitor, and FX Outputs |
|
|---|---|
| Type (Main Outputs) | XLR Male, Impedance Balanced |
| Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
| Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
| Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
| Frequency Response | 20 Hz to 20 kHz, + 0.5/-1.5 dB |
| Dynamic Range (A-wtd) | > 108 dB |
| THD + N (Bandwidth 20 Hz – 20 kHz, -1 dBFS, unwtd) | <0.01% |
| Output Impedance | 100 Ω |
Headphone Output |
|
|---|---|
| Type | ¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level | 150 mW / channel @ 60 Ω |
| Frequency Response | 20 Hz to 20 kHz, + 0.5 / -1.5 dB |
| Dynamic Range (A-wtd) | >103 dB |
| THD + N (Bandwidth 20 Hz – 20 kHz, -1 dBFS, unwtd) | <0.01% |
System Crosstalk |
|
|---|---|
| Input to Output (Ref = + 4dBu, 20 Hz to 20 kHz, unwtd) | -90 dBu |
| Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) | -85 dBu |
Signal Level LED |
|
|---|---|
| Signal | -30 dBFS (pre-EQ) |
| Clip | -3.0 dB before clip (pre or post-EQ) |
Channel EQ |
|
|---|---|
| Low cut | 100 Hz, -18 dB/Octave |
| High Shelving | ±15 dB @ 10 kHz |
| Mid Peaking (Mono Channels) | ±15 dB @ 140 Hz to 3.5 kHz (variable) |
| Mid Peaking (Stereo Channels) | ±15 dB @ 2.5 kHz |
| Mid-Band Q | Boost: 1.0, Cut: 2.5 |
| Low Shelving | ±15 dB @ 100 Hz |
Digital Audio |
|
|---|---|
| Host interface | USB 2.0 |
| ADC Dynamic Range (Component) | 114 dB |
| ADC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| DAC Dynamic Range (Component) | 114 dB |
| DAC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
| Signal-to-Noise (a-weighted) | -96 dB |
| Bit Depth | 24-bit |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
| Jitter | <80 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | > 60 dB (1 ns in => 1 ps out) |
SD Recorder |
|
|---|---|
| Supported Media Format | FAT16 formatted SD™ card, FAT32 formatted SDHC™ card |
| Media Storage Capacity | SD card: 2 GB; SDHC card: 32 GB |
| Recording File Format | Stereo WAV |
| Playback File Formats | Stereo WAV, MP3 (96-320 kbs, 32/44.1/48 kHz) |
| Sampling Rate (WAV) | 44.1 kHz |
| Bit Depth |
Recording: 24-bit Playback: 16- or 24-bit |
Power / Environmental |
|
|---|---|
| Connector | IEC |
| Input Voltage Range | 90 to 240 VAC |
| Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
|---|---|
| Height | 3.5” (89 mm) |
| Width (Chassis only) | 15″ (381 mm) |
| Depth | 15.6” (397 mm) |
| Weight | 11.9 lbs (5.4 kg) |
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive AR12c.
macOS®
- macOS version 10.13 or later
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
- Available USB port
Windows®
- Windows 10 or later (64-Bit Only)
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
- Available USB port
The above are the hardware system requirements for this product.
DAW software and Operating System requirements vary.
Click here for Studio One’s system requirements.
VST is a registered trademark of Steinberg Media Technologies GmbH
ASIO is a trademark and software of Steinberg Media Technologies GmbH
USB-C® is a registered trademark of USB Implementers Forum
All other trademarks are property of their respective holders
Prompt shipping and expert packing
Thanks to our longstanding association with UPS FedEx DHL as well as other leading global carriers, we can offer a variety shipping options. Our warehouse staff is highly trained and will be able to pack your goods in accordance with our precise and exact specifications. Your items will go through an exhaustive examination before they will be securely packaged before being delivered. We ship to hundreds of thousands of customers daily in different countries. This is a sign of our determination to become the largest online retailer worldwide. Warehouses and distribution centers are located throughout Europe as well as in the USA.
Note that orders containing multiple items are processed according to the particular item.
We will thoroughly inspect all items ordered before shipping. Most orders are shipped within 48 hours. The delivery time will be between 3 and 7 working days.
Returns
The stock market is always changing. It's not entirely managed by us since we're involved with several entities, including the factory and the storage. Therefore, the actual inventory could fluctuate at any moment. Please be aware that it is possible that your order could be out of stock after you've placed your order.
Our policy lasts for 30 days. If it's been more than 30 days since the date you purchased your item We're sorry to say that we can't offer you a full exchange or refund.
You can only return a product if it is unused and still in the same state as when you received it. The item should be in the original packaging.
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